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努努影院

丹麦小村教堂
其它其它1947
  The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.  Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.  The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.  In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.  On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.  Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.  The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

努努影院

天罗地网
大陆国语2002
  2000年5月18日,座落在陕西省黄陵县双龙山上的省级重点文物保护单位千佛洞突然停电。四名不法分子在精心策划下,盗走了石窟内89尊雕刻精美的罗汉头像。千佛洞石窟是宋代我国北方唯一的一座石窟,系数百工匠用了近十年的功夫才雕刻完成。这是一起特大文物盗窃案,盗窃的数量之多,破坏程序之大,全国罕见,国家文物局,陕西省委、省政府,陕西省公安厅,延安市委,市政府都立即做了指示。要求延安市公安局,不惜一切代价,挂牌必破此案,延安市公安局也会同黄陵县公安局成立了专案组展开了侦破。 现场唯一得到的钱索,仅是四个男人的身高和陕北口音,其余任何有价值的线索都没有。网必须撒大。经过大量艰苦细致的工作,公安人员先后拘留了7名涉嫌文物的犯罪者,收缴文物70余件,真正的犯罪分子,靖边县农民王海平等四人的情况逐渐纳入了我警方的视线,为了确保文物不受破坏,我警方决定暂不强取,采取积极贴靠(即化装与犯罪集团接近)的手段。我公安干警刘晓等人化装成文物贩子,携带10万元巨款出现在靖边县的文物道上。几经周折,特情人员与犯罪知情人接上了头,但是,狡猾的犯罪分子也以防范我公安人员,他们不断的利用外围人考查我公安便衣,更有社会黑势力流氓要向便衣下黑手,抢劫巨款。我公安人员冒着生命危险与犯罪分子展开一场斗智斗勇的较量,他们先后跟踪香港文物贩子,智擒文物走私犯,勇抓文物道上的老手……,先后奔赴上海、广州、浙江、西安、榆林等十风个省市,行程数千里,最终将四名犯罪分子一网的尽,被盗的89尊珍贵的石罗汉头像全部追回。

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