你是否曾想过，身边的他或她，会不会就是你一生的守护神，而你却不曾重视他的存在？爱情是个亘古之谜、难解的结，人性的执着与脆弱、矛盾与激情在爱情之中表露无遗。本故事以爱情为经，灵异惊悚为纬，配以台湾独特神秘的家将文化，铺陈出一段悬疑惊险、凄美动人的玄幻篇章。

　　待业青年王春生大学毕业后整日无所事事，一心想着组建摇滚乐队成为歌坛巨星但却屡屡受挫，其不务正业的消极态度引起父亲王建国的担忧，两人矛盾不断，王建国也因此而病危入院，王春生为了不让父亲担心而不得不接手父亲苦心经营的饭店，但其漫不经心的态度却使得饭店生意一落千丈，麻烦不断。　　王春生在经营饭店的过程中突发奇想，联合饭店后厨老实巴交的刘一守、痴迷凤凰传奇的逗逼祝安好、学习民乐勤工俭学的服务员卢晓萌等人组成了一支“摇滚乐队”，在逐渐磨合的过程中，几人经历了诸多啼笑皆非的“麻烦”，最终站在了音乐比赛的现场，虽然比赛最终以失败告终，但却让饭店因此而闯出了自己的特色，而王春生也开始逐渐成长，理解了一直以来父亲的良苦用心。

　　《闯闯闯！我是闯堂兔》是一部爆笑三维动画系列片，毛毛糙糙又不失机灵的闯堂兔，帅酷但是爱现的菜刀，看似呆笨其实心细的笨笨，少言却神奇的呱呱，加上疯狂的捣蛋专家兔弟弟，一起给大家上演着闯堂镇的小伙伴的快乐日常。全剧采用少量的对白，使用滑稽动作和丰富的肢体语言表演以及逗趣的日常生活故事，让闯堂兔和他的小伙伴们带着您一起感受单纯动画的乐趣。一定要让你开心！

10 Year Old AV

害人不成终害己,她杀死了自己的亲生儿子

　　在第三次世界大战期间，美国政府发起了一个秘密的项目代号为“陆军培根”，以创造超级士兵近交人与猪。25年后，一种叫做“枪口”已经占据食物链的顶端，吃和人类饲养动物一样。罗布正义是一个前赏金猎人工作的最后一行人类抵抗-一组幸存者躲藏在核掩体深处地下。他的任务是找出枪口上台并消灭他们。

　　故事发生在20世纪30年代，日本帝国主义的铁蹄响彻东亚诸国，风起云涌的时代下，一段段传奇接连上演。在中国，效力于韩国临时政府的局务局队长廉锡镇（李政宰 饰）从监狱中释放了被判处死刑的独立军狙击手安沃允（全智贤 饰），随后又找来了爆破专家黄德三（崔德文 饰）、新兴武官学校毕业生“速射炮”秋尚沃（赵镇雄 饰），密令三人暗杀朝鲜驻军司令官以及本国的卖国贼。危险的行动开始了，可是日本方面却很快收到刺杀任务的线报。在狂蛇乱舞的十里洋场，紧张刺激且充满阴谋的较量交替展开，而这也是有关民族命运的惊险对决……　　本片荣获2015年第36届韩国青龙奖最佳影片奖。

　　在九州某地，发生了一起伤亡惨重的公共汽车挟持事件，除了司机泽井（役所广司 饰）与一对兄妹直树（宫崎将 饰）和梢（宫崎葵 饰）外，其余的乘客全部被凶徒残忍的射杀了。事后，泽井为了忘却往事而远走他乡，但充满了鲜血了回忆却如影随形。　　一转眼两年过去了，为了了却心结，泽井回到了 故乡，找到了同为幸存者的直树和梢，兄妹两人有着和泽井一样的境遇，心灵受到巨大打击的他们性格阴沉离群索居。就这样，泽井住进了兄妹两的家里，和他们的远房亲戚秋彦（齐藤阳一郎 饰）一起组成了奇怪的家庭，平静的日子没过多久，一连串诡异的连环杀人案件让泽井成为了警察怀疑的对象。

　　日本战国时代，一小山村面临着山贼的威胁，为了保护秋天的收成，村中长老决定让去请武士来保护村子安全，但只能拿出的报酬是一天三顿的白米饭。在城里，他们遭到了武士白眼甚至被打。直到勘兵卫（志村乔饰）的出现，他现今已沦为浪人，几经考虑最后答应了。他对农民说至少需要七名武士，于是久藏（宫口精二饰）、胜四郎（木村功饰）、五郎（稻叶义男饰）、七郎（加东大介饰）、平八（千秋实饰）和菊千代（三船敏郎饰）等六人也加入了队伍，七个人肩负保卫村子的任务。　　整个防御准备的过程中，武士与农民间发生许多摩擦也闹出不少笑话。而在一次偷袭行动中，有武士为救农民被火枪打死，很快山贼的反扑随之而来，一场恶战即将开始。

　　The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.