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努努影院

乱世微光
美国英语2023
  Disney+ / Nat Geo这部七集限定剧由《晨间风云》“Claire”,《少女日记》女主Bel Powley、《清道夫》后再度回归的Liev Schreiber以及刚刚结束《伊普克雷斯档案》的Joe Cole加入其中,重述Miep Gies的故事。  来自《实习医生格蕾》的Joan Rater与Tony Phelan将会为剧集撰写剧本,此前执导了《空乘危机》的Susanna Fogel确认执导多集。此次Bel将饰演主角Miep,而Joe则饰演她的丈夫“Jan”,Liev则饰演Anne Frank的父亲Otto Frank。  Miep在二十多岁的时候,收到Otto的请求,希望可以藏匿在她的家中,以此躲过纳粹当时对于犹太人的迫害。Miep与自己的丈夫Jan,还有其它的人义无反顾地担起了这个重担;在接下来的两年里,照顾着包括Otto、Anne在内的八名避难者。  尽管在1944年这次藏匿计划以失败告终,但Otto妥善保存了Anne于躲藏期间所写的《安妮日记》,并在战后交还给了唯一幸存的Otto,整理成了此后最重要的纪录文献。而在二战后,Miep与Jan成立了社会团体,协助战后归来的人,并致力于对部分人关于日记造假进行驳斥。2010年,Miep于阿姆斯特丹去世,享年100岁。  “超过两万名荷兰人在需要藏匿的那几年间协助藏匿犹太人及其他人,我只是欣然做我可以协助的事。我丈夫也是。这不算什么。” Miep曾经这样说道。

努努影院

冰刀
其它其它1972
  This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.  Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.  One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.

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