踏入温馨的二月，刚迎来农历新年，闔家欢聚共享天伦，而情人节和元宵节迅即又至，在这个充满爱意的月份，翡翠台及高清翡翠台特别為有情人送上一份甜蜜贺礼－10个改篇自台湾著名绘本画家几米作品的动人爱情小故事，跟大家一同分享「爱」。　　在茫茫人海邂逅相知相爱的另一半，总教人相信冥冥之中自有一份「缘」，而取材自几米的绘本名作《你们我们他们》的10段情感细腻的爱情故事，正是围绕「缘份」这个主题。故事由一对男女偶然的邂逅而展开，刚从外国返港的June（徐子珊饰）相约网友往主题公园大玩「缘份」游戏，却偶遇摄影师Jesse(吴卓羲饰)，两个陌生人共渡了一天，彼此分享爱情观，带出10个分别题為《不捨不得》、《一个人的快乐圣诞》、《两颗不变心》、《一程车的春天》、《结婚密语》、《我们的浪漫故事》、《爱情转移》、《白日綺梦》、《我愿意》、《当旧毛衣遇上旧围巾》的细腻爱情故事。至於两人事后的发展则可能是另一场缘份游戏……　　担纲演出的其他演员包括一班「超级巨声」林欣彤、何雁诗、谢东閔、许廷鏗、吴业坤、罗孝勇等；乐坛新力军梁俊轩、「糖妹」黄山怡等；名模庄思敏，还有一班青春活力的艺员黎诺懿、陈智燊、陈爽、宋熙年、陈美诗、陈山聪、黄长兴、赵希洛、周家蔚、庄思明、彭慧中等，加上实力受到认同的日伽、杨证樺，以及台湾知名演员曾少宗等。

　　肯·高登和他经验丰富的团队在这部剧集中进入一家专注于稀有收藏品业务的领先拍卖行，展开了惊险的行动。

　　讲述了林悦和顾川离婚冷静期内，反思彼此是否要继续婚姻的故事。在闪婚后的第一个新年，究极大男子主义的老公与独立随性的妻子，两人的矛盾愈加激烈以至于产生了离婚的念头，当离婚冷静期撞上回家过年，在人为制造的意外下，两人不得不在对父母隐瞒此事上达成共识。在准备新年的期间，两人发现了父母也有离婚的念头，两代夫妇之间上演“善意谎言”的游戏，各自掩饰矛盾、试图用表面和平来应对年关，却在15天内实现了两代夫妇之间的理解与默契，在新年钟声敲响之际，迎来了各自新的爱情篇章。

因与父亲不和、导致自己也不想要孩子的穆季云，却有亲生儿子空降，他被迫和儿子相互嫌弃的共处中，查到自己当年误会妻子何瑞希，导致何瑞希离开家中，独自生下儿子抚养。为了追回何瑞希的心，穆季云收买儿子，对妻子各种关怀；何瑞希也对穆季云建立起信任，还帮穆季云达成跟父亲的和解，一家人走上幸福之路。

　　"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide　　"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport  both in their professional and daily lives  between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.　　The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson　　"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum

Washing Woman