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努努影院

失踪的上清寺
大陆国语2010
  台湾女孩徐敏前来重庆,一下飞机即遭抢劫,幸得重庆青年潘天棒出手相救。小敏恳请潘及另一重庆人老罗带她去上清寺,但二人称上清寺早已不复存在!闻此小敏心急如焚!但潘天棒和老罗却承诺帮小敏寻找失踪的“上清寺”。几经周折,三人找到前上清寺的高道人,不料高道人交给小敏一个神秘的“十二时盘”后竟离奇身亡。   原来小敏此番前来是为寻找数十年前“爷爷”徐尊遗留在重庆的一座秘密宝藏。之后,三人得遇“老重庆”老曾,四人结伴踏上寻宝之旅。同时,他们身边亦出现两派神秘夺宝人。四人屡遭袭击,却总似有高人相助,一次次脱离险境。   潘天棒与小敏日久生情,然而双方却都对对方的身份产生怀疑。原来小敏是冒名顶替的!她原名孟小青。而潘天棒也并非只是一名说书艺人,其父曾是重庆有名的文物鉴赏家,多年前被人陷害。潘天棒一直在暗查陷害父亲的幕后黑手。   “十二时盘”的秘密被一个个解开,两派夺宝者也越来越丧心病狂。四人随时都处在危险之中。在最后一个藏宝点,各路人马汇齐。潘天棒成功困住夺宝者。原来除了“军统”一派,另一派夺宝人正是重庆最大的文物贩卖集团,而隐藏在他们背后的头目却是老曾,而老曾也正是当年陷害潘父的元凶!   小敏和潘天棒打开藏宝秘室。徐尊爷爷留下的书信在跨越了半个多世纪后依然静静地躺在那里,信中讲出了宝藏的真正“秘密”:在战火纷飞的重庆,曾有一群人一直在默默保护着这座城市和她的子民。他们就是上清寺的道人、后人及关心上清寺的社会各界人士。徐尊与他们偶然结缘,心中感佩,许诺和平之日重建上清寺,不想一等就是半个多世纪。最终,老曾和他的手下们得到了应有的惩罚,老罗也在寻宝之旅中悟出生活真谛。   寻找到徐爷爷宝藏真谛的小敏决定回台湾告慰徐尊在天之灵,而潘天棒对小敏早已是深情难却……

努努影院

米兰九口径
其它其它1972
  Fernando Di Leo's "Milano Calibro 9" is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, "Milano Calibro 9" was followed by "La Mala Ordina" (aka. "Manhunt", also 1972) and the brilliant "Il Boss" (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned "Manhunt" is (allthough excellent) slightly inferior to this one and "Il Boss" which both stand out as absolute all-time highlights of crime cinema. "Milano Calibro 9" is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.  Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...  "Milano Calibro 9" is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.  The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like "Milano Calibro 9" are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.

努努影院

军歌嘹亮1965
大陆国语1965
  全副武装的战士们,分三路纵队精神抖擞地走在行军的路上,九人话剧组组长王鸿信带领组员们随部队进行宣传活动。 陈兴 打快板, 王谋 读带领战士们呼口号。部队走到延红县武装部,武装部张部长问 王鸿信 ,最近接了一批新兵, 有的人 嫌他们文化低,你们话剧队可不可以编些这方面内容的节目?王鸿信找出现成的节目单,而且就地给新兵们演出新编的话剧《谁看的准》。武装部室内坐满了看演出的新战士和家属。话剧开始,某炮兵部队侦察班计算兵李恨子为自己没测验好心情十分沉重,班长也埋怨他文化低,反映慢,不适合当计算兵。连长批评了班长的错误想法,用自己的亲身经历教育班长,只要思想正确、有决心就一定能克服困难,掌握军事技术。李恨子也讲述了解放前,自己的爸爸被 美国 鬼子的汽车轧死,妈妈背着他到一家纺织厂当工人的遭遇。班长和战士们听后深受教育。之后,李恨子想尽一切办法苦练基本功,他趴在铁道边用笔记录每节车箱的号码,练习反映能力,终于练出了一身过硬的本领。话剧结束以后,在篮球场上,大个子新兵嫌战士甲的球衣太破,二人发生了争执。话剧组就这个题材在战士中间演出了小话剧《球衣问题》。部队篮球队队员 杨光 大爱慕虚荣,不愿穿 补丁 衣服, 孙明哲 用老军长艰苦朴素的故事教育杨光大,使杨认识到应发扬和保持艰苦朴素的优良传统。话剧组在生活中发现,有些战士缺乏分析头脑,对复杂的事物不愿做深入的调查,喜欢做绝对肯定或否定的结论。根据这个问题,编了话剧《先别肯定》。政委和武装部张部长与战士们一起观看了演出。业余演出队战士 于林 ,积极练习吹唢呐,遭到高大牛的反对。高看问题主观、片面,认为练习吹唢呐影响训练,不了解 于林 经常放弃休息刻苦训练军事技术,不了解于林爱吹唢呐是因为他家几辈都是吹鼓手,受尽了地主的压迫。最后,高大牛在事实面前受到深刻教育。九人话剧组演出结束受到领导和战士们的热烈欢迎,大家都称赞他们在部队中,真正发挥了文艺的宣传作用。

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